Eyebrows were everywhere - thick, long and defined, they framed the face like elegant brushstrokes towards the temples. Cult make-up artist Stéphane Marais used a pencil at Christian Lacroix, while Pat Mc Grath gave a nod to Audrey Hepburn at Valentino. Chanel produced the most Frida Khalo-like look, with heavy, dark brows.
The focus on eyes was universal, with a Cleopatra look at Dior, Maria Callas eyeliner at Valentino and smoky eyes at Franck Sorbier. False eyelashes in bold colours popped up at Stéphane Saunier.